Showing posts with label Affinity eBook. Show all posts
Showing posts with label Affinity eBook. Show all posts

Wednesday, August 3, 2016

Catch to Release debuts in top 100


On it's third day of release, my second novel has broken into Amazon's top 100 in the Lesbian Fiction, and Lesbian Romance genres.  I am unbelievably excited and extremely grateful folks are reading it.  Thank you so much for your interest.  I hope you enjoy the story.

I'm very proud to be publishing with Affinity and to be a part of their supportive and talented crew of authors.  I hope you will check out some of their highly entertaining books too.

For those of who have asked, copies are Available now from: Affinity eBooks; Amazon, Barnes & Noble, Bella Distribution, Smashwords including Apple iBooks

Friday, June 10, 2016

Novel Preview: Catch to Release

Chapter One – Bang, Bang. Got Me Good.



Addison Weller pushed open the underground garage access door beneath the courthouse and glanced over everything before she ushered the Honorable John Errington through the door ahead of her. The fine hairs on the back of her neck stood up. She listened and heard only the hum of the industrial heating system, but a prescient tingle tapped lightly over her spine. Reaching her left hand inside her jacket, she put the tips of her fingers on the butt of her FN 5.7 pistol. She placed her right hand lightly on the back of the Honorable John Errington.
A solitary businessman watched them from over the hood of a black sedan forty feet to their left. Weller noticed he was immaculate in a navy suit, white shirt, and pale blue tie. His face was smooth and regular as milk, until he reached inside his jacket. One of his brown eyes darkened and squinted in an aim as he pulled out a Sig Sauer P299.
Weller drew her heavy FN 5.7 smoothly. Her left forefinger brushed the safety off as she slid her gun over the crisp linen of her suit vest with a soft rasp. She tossed her head to clear away a dark brown wisp of hair in her sight-line. She leveled the gun. Adjusting her own aim to the poor lighting and the lack of breeze underground, she strained to hear over the adrenaline roaring in her ears. With one long, sure step forward, she brought her own body between Errington and the Sig Sauer’s speeding bullet before firing her own weapon.

The two shots fired so quickly that John Errington wondered if he was dreaming them. For a brief second he thought to protest when Weller pushed him to the oily ground in front of a black BMW. Then Weller’s stillness rested heavy on his back, and her weight behind her forearm spread across the back of his shoulders. He listened carefully to hear her breathing. He heard silence.
“Weller?” Errington shifted his face off the floor just enough to talk.
Under the tunnel of parked cars, he saw a man in a navy suit, arm outstretched but still holding a smoking gun, and a pool of velvet blood creeping over the oily floor. The man blinked at Errington as their eyes met, but the man didn’t make any other movements. Errington watched a sigh fall from the man’s lips to the floor. He swallowed, and asked again, “Weller?”
Weller’s weight lifted with such speed that Errington was too stunned to sit up.
He heard the steel door to the garage bang open and lifted his head to watch Weller wheel around to face the door with her FN 5.7 aimed and ready.
Errington let out a long shaky breath. One of Weller’s team members, the exceedingly tall one with short brown hair, filled the doorway.
Errington rose to his knees as Weller lowered her weapon, and he heard her request, “Wimberly, call 911, and then call Jim O’Rourke at the Chicago DSS field office and tell him we’ve eliminated a hitman. He’ll get the investigation rolling.”
Errington stood and watched Wimberly nod before leaving to comply with his boss’s request.
Weller offered a hand up. “Would you like to see if your phone charger is still in the car now?”
Errington tried to swallow the leaden fear bubbling in his stomach, but only managed to throw up on the floor between his wingtip shoes.







Chapter Two – Stage Fright, Stage Right.



Shay Greenaura played the guitar like most people played a piano, with all ten fingers intimately involved. She thought of her guitar as another woman with a driving pulse that she could bend. The cheers of the seven thousand or so souls watching her play rushed over and around her like waves washing against stones at the sound of every clear note she struck. Sweat stung her eyes and she tossed her head to free the tangle of blond curls sticking to her forehead. She sang out the closing note and leaned into the tightening of every muscle in her small body. Her voice broke free and clear beyond the roar of the crowd for a last, lingering second. Wolf whistles and cheering rolled over the stage. She was already drunk with the calm, wonderful weariness of giving all of herself to her passion, her music.

Thirty feet away at the edge of the stage, a solitary man in a horde of exuberant women watched Shay touch the hands of her fans and smile at each one as she walked off the stage. The man eyed the crunchy-granola hippie chick next to him and decided she would do fine. All of these liberated, self-righteous women ultimately just want to go home and be given some order, some direction, to soften the chaos of freedom. He would seduce her first, as he knew she believed she wanted to be seduced. Then when she learned to trust him, he would ram order into her with each hammer of his cock and beat her to the edge of senseless before he silenced her life into eternal order. He smiled to himself and smoothed one hand over the Greenaura logo on his T-shirt. He would use the hippie chick for today. But, one day...one day soon...Shay Greenaura will be my bitch. That thought made him hard in his jeans. He caught the blue eyes of the petite blond hippie chick with a shy nodding smile calculated to earn her interest.


Gloved hands pattered on a keyboard in a dim public library just minutes before closing time on a rainy Tuesday. A YouTube video of Shay’s latest concert rolled on in a minimized window, while in a larger desktop window, Shay’s blue eyes crinkled with a grin in a candid still shot. The photo was a nice close-up of Shay in pajamas, at home on a winter night, snuggled up on the sofa with her daughter, Iva. The pleased photographer slashed a warning over the photo in Jack-the-Ripper-horror font, “I WILL KILL IVA. SLOWLY. SO YOU CAN WATCH.” The photographer saved the creation to a jump drive, careful to erase the file properties, pocketed the drive, and erased all history folders before leaving the library.


“This is the Chasten Scorn show coming at you live on Talk Time Satellite Radio. We are all ready to ridicule and beguile Robespierre Greenaura, bass-guitarist and pansy brother of the infamous liberal dyke singer, Shay Greenaura. Say hello to the folks, RobO, you know the drill.”
“Hello, world. I’m Rob Greenaura and I can take the Scorn.” RobO flashed Chasten a wide self-deprecating grin and patted the thinning hair down on the top of his head.
Chasten shrugged his hoodie smooth over the back of his neck and smiled broadly. “Then let the games begin. Our first burning question, RobO, is—and we have done our research, so we do have some dirt—why is your sister quickly becoming a rich and famous musician with a cause, when you were the first one with star ambitions?”
“That’s too easy, Chasten. I never had any star ambitions. I just liked crooning cover songs, and I was floored and amazed that my baby-sister wanted to play along.”
“Aw, come on, man. Aren’t you even a little jealous that the scrawny no-name drummer of your Frank Sinatra cover band achieved all of this success as a singer and a songwriter, while you were stuck tagging along?”
“Well the cover band was mostly for fun anyways. I never expected it to feed us long-term. Our dad died when I was ten and Shay was four years old, and our mom wasn’t exactly reliable even before she died, too. So, I’d already been working as a busboy, and then as a bouncer for several clubs in DC, before I started trying to sing for more money. Shay had an after-school job, but she learned to play the drums so we could take home more of the band’s pay.”
“Got tired of ramen noodles?”
RobO chuckled. “Honestly, we got tired of living without power because we couldn’t pay the utility bills. Even when Shay wasn’t at work, she followed me to the gigs so she could have air conditioning and light for free for a while each night.”
“So you took your underage baby sister along to clubs like The Bottom Line bar for her safety?”
“Ha! No, of course not. Have you met my sister? I took her along for my safety.”
Chasten laughed boldly at the punchline in a deep rumble that was obviously playing it up for their listeners. “Point taken, RobO. So you taught your baby sister to play drums so you could keep her out of trouble and use her for slave wages?”
“Sort of. She actually taught herself to play drums by watching every night, I guess. I didn’t have a clue until one night when our regular drummer got too pissing drunk to stand up and we were about to go on without any drums, she slipped in behind his kit and started playing.”
“But how did she get from behind the drums to strumming a guitar and singing then? And how did you end up behind those drums?”
“We were waiting in the alley to go on at some scummy joint above a nice restaurant one night. Shay picked up Glen’s guitar and sat on his amp fiddling around with it—just like she did just about every time we waited somewhere, but that night she started singing along. Some poem she’d been scribbling all over the back of envelopes and receipts. A more upscale club owner, Jane Karsen, walked out of the restaurant after dinner and heard Shay singing. She handed Shay her card and asked us to play an early evening gig at a coffee house she had just opened called the Daily Grind. Since the time slot allowed us to still play our regular gig that Friday, we went to the Daily Grind first. Shay and I played that gig with her singing and me playing the bass guitar. We had to borrow both guitars from Glen the first few weeks, but then found I found a three-piece jazz drum kit and an acoustic guitar on sale in some pawn shop. After that we played any gig we could get anyone to book with either of us singing lead.”
“The masses just liked your sister best.”
RobO rolled his eyes and shrugged. “No accounting for tastes, heh?”
“What about this Greenaura crap? Couldn’t you guys make up a better stage name?”
“It’s our name. Our father gave it to us. All I know is that it means ‘from the village of Greenaun,’ which is in County Mayo, Ireland. Our father was of Irish descent, but his family had been here so long, and suffered so many separations, that I don’t think he knew much more than that. At least, he never told me more than that.”
“What about your mother?”
“She was part Italian and part Polish. She kept a list of family births and deaths in the front of her bible, but I don’t think she ever knew where or how her own parents or brothers ended up. I think they gave up on her before we were even born. I don’t remember any grandparents or uncles or aunts. None of the names on her list have led to anyone alive so far.”
“You heard that, world. If you’re related to these shady Greenaura musicians, please let us know. Maybe RobO will get sentimental and cut you in on the inheritance. Right?”
“Sure thing, Chasten, we’ll split our whole stock of Irish whiskey and all our bail bonds with anyone who can show they’re remotely related.”
“Now don’t be so damned generous, you bastard. Tell us how the hell you got from sleazy clubs in DC to Chicago in the first place.”
“Well, it’s really kind of a long story. Are you sure you want to hear it?”
Chasten smirked. “No, but I’ve gotta ask you to tell it anyway. How else am I going to get a balding, middle-aged drummer to fill out an hour long show? I’ll interrupt you when I need to.”
“Okay. You asked for it.”
“Yes, I did.”
“Our mom died just a few months after I turned eighteen, but Shay was still only twelve-years old. Child protective services gave me the choice of assuming guardianship for Shay, but they advised against it since they didn’t feel I could take care of myself well enough yet. I opted to let them place Shay into the foster system for three years until I turned twenty-one and got a little more practice at raising myself.”
“So you left your little sister hanging in the wind?”
“Yeah, but in my defense, I thought I was doing what was best for both of us. It wasn’t until Shay and I were back together that I realized just how wrong I was.”
“So what happened?”
“The foster family Shay was placed with over those three years essentially used her as a drug mule and beat her into secrecy.”
“Whoa! Holy Cow!” Chasten’s eyes grew wider. He leaned in toward RobO to listen.
“Yeah, I know. Unbelievable, right? I had my doubts, too, until Metro PD showed up on our doorstep one morning to question Shay. The foster parents had been busted for dealing at a little league baseball game. Based on their subsequent accusations against Shay, and the evidence they handed over in Shay’s old school back-pack, the DA was pressing charges against Shay for possession with intent to distribute.”
“So then what? As far as I know Shay Greenaura has no criminal record.”
“No, she doesn’t. But it scared the hell out of us since we knew it was her word against the foster parents’ implications—and we didn’t think that stood much of chance in convincing any judge. Lucky for us, the public defender worked out a deal. If Shay agreed to serve as a witness for the DA against the foster parents as needed, do 500 hours of community service, and serve two years of probation with active drug counseling, even though she swore she never used any, then the DA would not press charges.”
“Okay, so how does that get you from Washington, D.C., to Chicago?”
“Well, Shay testified and the foster parents were convicted, but then they appealed and the conviction was overturned on a technicality, not too long after Shay finished her two years of probation with counseling. We were both afraid the foster parents would try to cause her some sort of misery in retribution. During the counseling, Shay saw something about a mission and shelter in Chicago called Second Start. I started poking around their web site and saw that they specialized in helping young adults get another start after drug-related misdemeanors. It seemed like our only real chance out, so we started saving for two one-way bus tickets to leave.”
“And you gave up your cover band and your gigs to go?”
“I did give up the cover band. We couldn’t take the other band members with us, and we didn’t have any connections in Chicago to restart the band, or knowledge of the club scene there to arrange any gigs.”
“But?”
“We kept our pawn-shop instruments. Shay and I played for money every chance we got on the way to Chicago, and all around the Second Start shelter once we got there. Many folks at the shelter helped us get paying gigs and promoted our work. Shay is a natural and it was easy for her star to rise once people could see her perform. She came out of her shell of fear and insecurity, too, and found a sense of belonging in the community.”
“Aww. How rainbow-from-the-ass-ends-of-butterflies lovely is that?”
“Yep. A regular happy ending. For me, too. I met my wife Sylvia there. Syl had been arrested for possession of cocaine as a minor before escaping from her rich bitch parents in the suburbs to the Second Start shelter in downtown Chicago. The three of us just bonded, and when Syl got a job in the city’s permit offices, she started networking with vendors who were willing to mentor us all on promoting our music. Everything worked out for the best.”
“So you’re not miffed about giving up your whole chance at fame and fortune to look after your sister?” Chasten’s voice played the tonal registers of false incredulity.
Shaking his head, RobO gave a sheepish grin. “Nope. I just want to keep my family safe. Shay and Syl experienced so many things because there wasn’t anyone who cared to keep them safe.”
“Safety is more important than fame and fortune, hey?”
“Yes.”
“But you never get bummed out about it? I don’t believe you.”
RobO half nodded and played with the zipper on his green pleather jacket. “Well, sure, sometimes. Sometimes I feel I still can’t really keep them safe. Sometimes I get tired of my brilliant little sister’s talent for change, evolution, learning, personal growth. Whatever you want to call it. Getting caught up in all the hubbub associated with that talent can be overwhelming and tiring at times.”
RobO shrugged out of his jacket and pushed up the shirtsleeve on his left forearm to reveal his tattoo. He held it up to show Chasten. “That’s why I have this tattoo that says ‘it is what it is’ right where I can see it when I drum. I think everything, including change, power, and growth is good in moderation. Some things you still just have to accept and make the best of. I just have to accept that I can do more good behind the drums, supporting my sister and hopefully keeping my family safer, than I can pursuing my own fame and fortune as a singer. Sometimes what it is should be enough.”
“Jeeze. Deep thoughts by RobO, folks.”
“Yep. It is what it is. Don’t you enjoy being a penny-ante shock DJ, Chasten Scorn?”
“Oh no, I’m not going to answer that. This isn’t about me. In fact, it’s time for me to ask you the question that matters most, RobO…what giveaway did you bring to appease our audience members?”
RobO smiled and reached behind him to pick up a hard-shell guitar case. “I’ve brought one of Shay’s custom, green-pearl-sparkle, semi-hollow, body guitars.” He unlatched the case and lifted the guitar out to show Chasten the sparkle beneath the studio lights.
“Well folks, I’m looking at it right now, and it is a thing of beauty even if you don’t write lesbian-folk-pop songs. The first caller who can correctly name RobO’s Frank Sinatra cover band wins.”


Shay pushed open the steel exit door a crack and found a score of people crowding the alley behind the Maddux Theater in St. Paul. She quickly pulled the door shut again. The cold air fanned in behind her and washed over the entire sweaty band at her back.
“What’s up?” RobO asked from behind her.
“They alley is lousy with media, fans, and,” she sighed, “protesters.” She looked at the ratty concrete floor and a dewdrop of sweat beaded down the edge of her nose to splash against the top of her boot.
“No other exit gets any better, I’m sure.” RobO’s voice was calm and smooth.
“Let’s just do it.” Fallow, her drummer flexed up and down on the tiptoes of his green Chuck Taylor’s.
“I’ll go in front.” RobO nudged Shay away from the door.
Shay rubbed her palms over her face and pressed herself close to RobO’s broad back.


The crowds parted around RobO letting him through. After twenty or so steps, he turned to smile at his sister and found that he could no longer see her. The crowd around him was looking behind him and shouting.
Hoots of “Shay, over here,” and growls of “Jesus can still save you, sister” echoed around him. Smartphone cameras flashed. Bodies pushed past him.
The rest of the band was lost in the sea of people. Everyone and everything sparkled dewy with the night’s humidity.
RobO spotted a small blond head bouncing above the writhing mass of humanity and turned to push his way back to Shay.
This alley, this venue, the security isn’t built for this level of recognition. RobO used his arms in a breaststroke manner to swim through the crowd to rescue his baby sister. I’ll never keep her safe.

An early cover concept draft.


Friday, May 6, 2016

ELECT a simple way TO DO GOOD

Its about something way more important than buying a book for $5.99.  The charity we chose to support, the Montrose Center, does more than just counsel LGBT community members struggling with mental health issues.  It offers many programs and resources to LGBT community members and their families to support mental and emotional fitness.  This is something I wish was available to more communities and something I believe could positively change the world.

In Ben Franklin's words, an ounce of prevention is worth a pound is worth a pound of cure.  As a member of the American Psychological Association, I have witnessed a horde of mental health care professionals stressing this point over two decades to nearly no avail.  One in five of the adults you know are hiding and struggling with an untreated mental  illness.  

Granted there are a lot of reasons for that including the stigma associated with the word illness. Please note that illness does not dictate chronic disease or a personal defect.  For example, the flu is an illness, and depression is the flu of mental illnesses.  They are preventable. The bottom line remains that too few people get help hefting a pound of cure, so that ounce of prevention goes almost completely unseen and unfunded. 
If you want to change the world, promoting positive psychology and mental illness prevention is a dang good way to make a whole lot of difference for very little effort. 
At least that's what I think. Even though penning a short story for a charity book isn't a whole lot, I rest easy in knowing I made a difference by supporting the availability of mental illness prevention in a community.  It's about more than a book, and that is why it is appropriate that the books is title "It's in Her Kiss."  So much happiness and health is in a kiss.

Regardless of your politics, we hope we've made it is easy for you to elect a simple way to do good this month. 
Do it to show your support for Mental Health Awareness Month.  Do it to show that social, emotional, and mental lives of LGBT families and minorities of all kinds are important.  Do it in honor of Memorial Day, because so many who serve do so at a great price to their own mental health to give you the freedom to pursue your health and happiness.  


Friday, April 29, 2016

A Love's Luck Teaser

Affinity eBooks has published an all-holiday anthology, It's In Her Kiss, and all proceeds go to the Montrose Center, home to dozens of LGBT-affirming social and civic organizations all working to help families enjoy healthier and more fulfilling lives.  It's In Her Kiss is available  from Amazon or directly from Affinity.

My story, Love's Luck is a blatant homage to Gabriel García Márquez. It takes place in Houston (home of the Montrose Center) and spans several underrated holidays from St. Patrick's Day to Bastille Day.  Here's a teaser:


March 17, 2015 (Saint Patrick’s Day) 6:30 p.m.
We were married in front of two hundred of our closest friends and family on this very spot three years ago on Saint Patrick’s Day. We’re both Irish—well, Irish-American. In fact, my name is Cara Patrick, and my wife’s is... was Rebecca Irish. So Saint Patrick’s Day was an easy way for us to remember our anniversary. Not that we needed it.
By our second anniversary Becca was gone. One minute we were walking the Celtic Gardens beside the handsome old Santorini’s warehouse where we got married, quietly celebrating our second anniversary before heading off to the other festivities, and then I was walking along alone. The police gave up about six months in after failing to find any evidence Becca might have been abducted.
I can still hear Detective Garza shuffling his feet on our front stoop, staring gently back at me as he announced, “Cara, you know, sometimes people just leave by their own choice without telling anyone. Maybe in a fugue state, or maybe just because they don’t have the guts to explain themselves.”
But I know Becca. That isn’t her style. She plans and announces everything well ahead of time and then repeats herself. She’s a little obsessive-compulsive. She has a joke about how all psychologists are a little wonky in some way—that it’s part of why they go into psychology in the first place. She wouldn’t go anywhere without explaining herself and leaving a detailed itinerary with emergency contacts and phone numbers. Then again, how could anyone have taken her so easily from right beside me without making a noise?
So here I am, back at the scene of the crime, on our third anniversary. . .  


The anthology features several love stories ranging from New Year’s Day through to Christmas with contributions from Alane Hotchkin, Erin O’Reilly, Erica Lawson, Ali Spooner, Jen Silver, Annette Mori, Charlene Neil and TJ Vertigo. We hope you enjoy what’s ‘in her kiss’ and take this opportunity to give to a worthwhile charity at the same time. 




Thursday, March 24, 2016

Why Write?

I've spent three-fourths of my life to date studying human behavior. Psychology is my first intellectual passion, so why do I write fiction? Most especially, why do I write lesbian romance?

Honestly, I've always written stories in my head, mostly to entertain myself on long road-trips, but occasionally to entertain friends and family. Eight years ago, on a long flight out west with some very bored colleagues, I told them a story that I made up on a road-trip through Grand Teton National Park. I thought the story was about what would happen if a National Park Service employee who loved her job and worked hard (for very little pay, for a long time) to get exactly that job in that place met the love of her life and discovered her soul-mate had to work in the city. What happiness would this heroine decide to keep pursuing? If she couldn't have both, what would she sacrifice? Her love of meaningful work and the life purpose she had already chosen, or her chance to grow true love and companionship? What would she do if the deck was further stacked--if a large chunk of society didn't condone the relationship? If her soul-mate turned out to be another woman?

Hooked by the emotional dilemmas (my colleagues were psychology nuts as well), they encouraged me to just write the story--to make it a novel. Thanks to some inspiration from National Write a Novel Month (NANWRIMO.org), I discovered I did want to and could write a novel. That story became the lesbian romance, A Walk Away published by Affinity. But I also discovered I wanted to write lots of novels. And as I scribbled out plot after plot from mystery thriller and absurd horror to traditional contemporary romance I made another discovery. I had an epiphany. All my stories, no matter the genre or setting, were all about love.
More specifically, everything I write is about how letting someone love you (being completely vulnerable) is the scariest, hardest, and most rewarding thing you can do with your life.
Elated and thinking myself rather clever and self-aware, I told my encouraging colleagues about my epiphany. They smiled benignly and said something along the lines of, "Of course. Why do you think we told you to write? It's something the world needs to be reminded of again and again."

So I write, because nothing else sticks in the mind and makes a philosophy tangible and true like a story. I write because reading is one of the first places so many people test and observe behaviors, and I want to inspire people to learn to behave more vulnerably. Behave vulnerably enough to let someone else love you. The greatest gift we can give, the best stories we will ever write, are the ones where we let ourselves be loved.

I think this is especially true when social norms, or our individual perceptions of social norms, tell us that being that vulnerable with someone else isn't appropriate (like when we fall in love with someone of the same gender, or a different race, or a different religion). Letting yourself be vulnerable enough to be loved by someone opens up unknown worlds, unexpected joys, and contributes your single drop of inner peace to the filling of the world peace bucket. At least that is what I believe, based on my study of human behavior, and so I write. Especially lesbian romance.

Like heart rocks, meaning is where you find it and writing helps us do that.


Monday, December 28, 2015

The main characters of my book, A Walk Away, were interviewed.

See the full interview at the following link:

http://www.affinityebooks.com/blog/2015/12/26/interview-with-kat-and-rand-from-a-walk-away/

Here is my favorite snippet from the interview:
Diana:  If readers could learn one thing from your experiences, what do you want that to be?
Kat:  The toughest thing for me was learning to let myself be vulnerable. I didn’t want to burden anyone.  For so much of my life I thought that giving love was the greatest gift I had to grant anyone else, but I discovered that it is actually accepting others’ love, appreciating their right to share my burdens and joys, that is the greatest gift I have to give.
Rand:  If I could help everyone realize any one thing I think it would be that even not taking a risk is taking a risk–taking the risk of missing out on something.  Sometimes that is perfectly justified, if you believe that what you’re might miss out on isn’t as important as what you’re doing with your present time.  In my experience, life requires sufficing and sacrificing one happiness for another, and adapting to the new balance of happiness’s.  I just learned that sacrificing or sufficing for a chance to love was my greatest happiness, and once I knew that, the outcomes weren’t as important as taking the risk.

Tuesday, September 22, 2015

Get Teased.

Find out what the Nightshade Lexicon Performance at this week's Houston Fringe Festival will look like by checking out this teaser.
The Nightshade Lexicon Performance combines poetry, techno, photography and dance into a live show on stage at Super Happy Fun Land (3801 Polk St, Houston, TX 77003) on: 

Thursday, September 24th at 6 PM 

and on 

Friday, September 25th at 7:30 PM.

The five poems in the live performance are a small selection from my subliminally-best-selling e-book of poetry, 
The Nightshade Lexicon: A complete book of worthless poetry for the common hominid. (Available for $0.99 on Amazon).

Wednesday, April 8, 2015

My novel, A Walk Away, goes on sale soon.

Give me some feedback?  Would you read the book if you saw this synopsis on the back of this cover?

A Walk Away

      Katrina Reese worked her way through a dozen crappy park service jobs to earn her dream spot as an ecologist at Acadia National Park. She contributes to the world every day in a way she considers meaningful and rewarding, but she’s not sure she’s capable of really loving anyone without losing her sense of self—without losing the courage that kept her together since she weathered the death of her mother as a small child and her father’s subsequent depression. In thirty-odd years, Kat has yet to find a man worth loving enough to give up her love of independence and wilderness. 
     Rand Marshall sold her soul to the devil to start up a consulting company in Houston’s oil sector, or at least that is what she supposes her family believes. But doing the things her parents feared she shouldn't has given her and many other families a good life—even if she’s never managed to find an equal partner to share it. Forced into taking a vacation after a decade of business building, Rand finally has enough time to think about what she values for herself, and how to be happy independent of other people’s, even family members’, judgments.

     Kat and Rand’s daily worlds are 2,100 miles apart, but something about their meeting on the magical shores of the nation’s oldest national park east of the Mississippi sparks questions that neither woman can just walk away without answering. Sometimes chance brings you to the right person to help you resolve some of your baggage, and you learn to like yourself a little more. Kat and Rand are smart enough to recognize this chance in each other, but they also find that there is a catch to every opportunity—walking toward something is always walking away from something else.

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